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2 days ago 63 notes By hollienicholes Via sluts-cats-whores
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2 months ago 3,666 notes By MODDDY Via 11011001000110101110001
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thisisthehorrorshow:

solving one another.

thisisthehorrorshow:

solving one another.

2 months ago 391,139 notes By heypsiusmile Via 11011001000110101110001
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2 months ago 8,169 notes By solstice-child Via 11011001000110101110001
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2 months ago 2,477 notes By a-t-o-m-i-c Via 11011001000110101110001
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weissesrauschen:


“Counter-Production” at Generali Foundation - Henrik Olesen
2 months ago 1,084 notes By weissesrauschen Via 11011001000110101110001
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2 months ago 23,779 notes By pretty-sleeping-sickness Via 11011001000110101110001
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the-overlook-hotel:

Warner Brothers publicity still slide from The Shining. 
Only a handful of still frames were released to help promote the film, and all of those stills were personally approved by Stanley Kubrick. Kubrick used the still selection project as an opportunity to mentor a nineteen-year-old aspiring photographer named Murray Close, who was a schoolmate of Kubrick’s daughter, Vivian. Close went on to be the only Kubrick-sanctioned photographer on the set of The Shining, and subsequently established himself as a well-respected production photographer.
This particular still is notable in that it is not a frame seen in the finished film; it’s presumably a frame from an alternate take of the same shot. It has also been color-timed to a much cooler hue than the shot that appears in the finished film.
(image courtesy Marc Finkel)

the-overlook-hotel:

Warner Brothers publicity still slide from The Shining

Only a handful of still frames were released to help promote the film, and all of those stills were personally approved by Stanley Kubrick. Kubrick used the still selection project as an opportunity to mentor a nineteen-year-old aspiring photographer named Murray Close, who was a schoolmate of Kubrick’s daughter, Vivian. Close went on to be the only Kubrick-sanctioned photographer on the set of The Shining, and subsequently established himself as a well-respected production photographer.

This particular still is notable in that it is not a frame seen in the finished film; it’s presumably a frame from an alternate take of the same shot. It has also been color-timed to a much cooler hue than the shot that appears in the finished film.

(image courtesy Marc Finkel)

2 months ago 1,760 notes By the-overlook-hotel Via disemboweled
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